My Favourite Films – Mike Coad

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MIKE COAD

Looking through my list of top ten movies, it soon becomes evident that there is a strong bias towards musicals. This has been my favourite genre of film from an early age and I never tire of watching them.

My taste in TV programmes is about 95% factual documentaries and 5% historical dramas such as ‘Lark Rise to Candleford’. Unfortunately, the number of documentaries made for cinema audiences these days can be counted on one hand. Gone are the days when those fabulous ‘National Geographic’ travelogues were shown alongside the main feature.

I’ve never been a fan of action films and American comedies leave me cold. Indeed, the phrase ‘American comedy’ is the biggest misnomer in the English language as far as I’m concerned.

Here then is my top ten list:-

 

10. American Graffiti (Dir. George Lucas 1973)

A coming of age movie that epitomises what I believe small town America was like in the early 60s. It was a time of innocence that is now very nostalgic to look back on. It was shot in under a month on a tight budget but captures that era perfectly in the sets, the cars and the music. As we all know, Lucas went on to make ‘Star Wars’, a great achievement indeed but, given the choice, I would rather sit through ‘American Graffiti’.

 

9. Amadeus (Dir. Milos Forman 1984)

This is not the story, as you might suppose, of Wolfgang Amadeus Mozart himself but of the consuming jealousy of a lunatic asylum inmate, Antonio Salieri. He believes that God should have given him the musical talent rather than to Mozart, whom he considers to be a vulgar character. How historically correct the movie is, I have no idea, but if you enjoy it for what it is rather than analyse it, you will surely find it as entertaining as I did.

 

8. Chicago (Dir. Rob Marshall 2002)

The star of this movie is, without doubt, the dancing and choreography. The screen adaptation of Bob Fosse’s original stage musical is a delight from beginning to end. We are all aware of Richard Gere’s acting talents but in this film he knocks out a great tune and he isn’t a bad dancer either. He is ably supported by Renee Zellweger and Catherine Zeta Jones strutting their stuff. Definitely one of my all time favourite musicals whether on stage or on the screen.

 

7. 2001: A Space Odyssey (Dir. Stanley Kubrick 1968)

I admit to not understanding certain aspects of this film when I first saw it as a teenager, in particular the importance of the black monoliths. However, I was gripped from the moment the bone that the ape man threw in the air metamorphosed into a spacecraft. The absolutely stunning photography set to the ’Blue Danube’ was a treat for the eyes and ears. The ever more threatening computer ‘Hal’ was another master-stroke in one of the best Science Fiction films ever made.

 

6. Koyaanisqatsi (Dir. Godfrey Reggio 1982)

Koyaanisqatsi is a Hopi Indian term meaning ‘Life out of balance’. A documentary (of sorts), this film is a collection of stunning moving images incorporating time lapse and slow motion photography set to the haunting music of Phillip Glass. The final sequence is unbelievable and you simply wonder ‘How did they film that?’ If you haven’t seen this film, I urge you to watch it.

 

5. Evita (Dir. Alan Parker 1996)

Film adaptation of the hit Broadway musical based on the life of Eva Peron. Now, I’m no fan of Madonna but credit where credit’s due; she was perfect in this role. The costumes and visuals were stunning and Madonna’s co-stars, particularly Antonio Banderas, were totally believable in their roles. The Peron era was a difficult time for many Argentines but it was interesting to see the other side of the coin.

 

4. E.T The Extra Terrestrial (Dir. Steven Spielberg 1982)

In my opinion, Spielberg’s finest movie. The film’s ability to grab you emotionally is very strong and I admit that I had tears in my eyes when I first saw what I thought was going to be E.T.s death scene. Spielberg takes you on an uplifting journey and anyone who is not moved by this film whether they be an adult or a child must have a heart of stone.

 

3. Oklahoma (Dir. Fred Zinnemann 1955)

Made the year I was born (yes, I know I look much younger) and a film that I never miss whenever it is on TV. The quality of the Cinemascope print is stunning and the photography really brings home the feel of the Oklahoma territory at the turn of the century. The ‘Rodgers and Hammerstein’ numbers ain’t too bad either.

 

2. Oliver (Dir. Carol Reed 1968)

A musical version of Dickens’ ‘Oliver Twist’, this film has a great cast and great choreography. However, it is Lionel Bart’s masterful musical scores that make this my number one stand alone musical. Every song is unforgettable and you find yourself singing them for days after watching the film.

 

No 1 – That’s Entertainment (Dir. Jack Haley Jr, 1974)

A mix of my two favourite genres, musicals and documentary. This is the story of the 50 year history of the MGM studios and its stars. There are more stars in this than in the night sky and the unforgettable songs and dance routines are pure magic.

 

So there you have it – agree or disagree as is your wont. Thanks for reading and don’t forget to check out the lists from other OVFM members!! Click HERE to return to the menu page!

Rambling On

In anticipation of the OVFM ramble on Sunday 21st August Deborah and I were out at the weekend boldly going into the unknown (well!!) on your behalf.

We were soaking up the sights, breathing in the fresh air and indulging in a little cream tea action for your benefit. It’s a tough life in the OVFM!

As a little taster of what you might see if you join us on the 21st here are a few snaps for your delectation

More information on the ramble will be released in due course, but in the meantime dust off your gear (photographic and cinemagraphic) and get in the mood for some fun in the sun (or enjoyment under the rainment).

My Favourite Films – Mike Shaw

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MIKE SHAW

Some films are great to watch – several times – and some make a real memorable impact that puts them into a prime ‘favourite’ list.  The films in my list aren’t all ‘classics’ – in fact many of the so-called ‘classics’ I have never seen or want to see (Gone with the Wind, Sound of Music for example).  Here are the top ten that have made a definite impression on me for various reasons … (not in any particular order).

1. Metropolis (Dir. Fritz Lang 1927)

Silent movie – and the first one I ever saw, at the age of 4 (1935): of course it made no sense whatsoever then, but the images ‘stuck’ – images which aren’t in the DVD version I have so, obviously the so-called ‘lost scenes’.

2. Hellzapoppin! (Dir. H.C Potter 1941)

Olsen and Johnson, Circa 1940ish. Zany stuff – but the special effects stayed in my memory. How did they do it… I’m working it out how on video with computers … but just using film?

3. Matter of Life and Death (Dirs. Michael Powell and Emeric Pressburger 1946)

Wartime movie.  Brilliant concept and filming technique that impressed me … and the ‘staircase’ music – absolutely haunting.

4. Pleasantville (Dir. Gary Ross 1998)

 Another amazing concept movie – nothing heavy, in fact an almost inconsequential ‘B’ movie, but again, special effects (on colours this time) had me watching this movie over and over wondering how, and looking for the ‘flaws’.  There aren’t any.

5. The Wages of Fear (Dir. Henri-Georges Clouzot 1953)

French, just after the war (WW2 that is!) – I came out of the cinema totally exhausted and drained from the tension: watching it again it has lost its original appeal, but it still sticks in the mind for what it did to me when first seen.

 

6. They Came To A City (Dir. Basil Dearden 1944)

A very ‘socialistic’ look at the world after the war, from the pen of  J. B. Priestly – and at the time I thought it was a magnificent concept. A fairly large group of people suddenly find themselves mysteriously at the gates of a walled city – a socialist utopia.  How many decide to stay after being allowed inside the city for a few hours?  Far fewer than you might imagine!

7. The Court Jester (Dirs. Melvin Frank & Norman Panama 1955)

Actually all or any of Danny Kaye’s films could be mentioned here – but this one had some beautiful alliteration and rhythm (the chalice from the palace…) which appealed to me as a wordsmith.

8. One Flew Over the Cuckoo’s Nest (Dir. Milos Forman 1975)

 Brilliant acting. I actually thought when I first saw this film (at a preview) that the cast were drawn from an institution.  It was the first Jack Nicholson film I’d seen as well.

9. The Man Who Would be King (Dir. John Huston 1975)

There are lots of reasons why this film is on the list – most of them personal.  It is a film that cleverly tells its story on two different levels – the obvious, and the ‘hidden’.  I found it fascinating how they managed to subtly interweave the two levels.

10. Airplane! (Dirs. Jim Abrahams, Jerry & David Zucker 1980)

My kind of zany humour.  No matter how many times you watch this film (closely), there’s always something new to see – a new gag you missed appearing in the background somewhere perhaps because you were concentrating on the ‘subject’ of the scene.

So there you have it – agree or disagree as is your wont. Thanks for reading and don’t forget to check out the lists from other OVFM members!! Click HERE to return to the menu page!

OVFM Club Meeting Tuesday July 19th 2011

Here we go again folks! The next club meeting on Tuesday July 19th is Round Two of the 2011 TOP TEN competition! The first round a few weeks back saw four entrants (including yours truly) kick off this year’s contest (the results of which can be found  HERE) and now it’s time for another brave bunch to submit their hard work for a friendly critiquing from their fellow OVFM club members.

Those people scheduled to submit films for this round are:

Derek Allen

Freddy Beard

Adam Beveridge

Sam Brown

Matthew Clarke

Simon Earwicker

Jennie Jarnot

Anna Littler

Ian Menage

Jane Oliver

If you could please reply to this post to confirm whether you will have a film ready for Tuesday, that would be hugely appreciated and will stop Brenda Wheatley turning up on your doorstep with some of “the lads” for a “quiet word”….

Also, in the advent of low turn out, or if you have a film already to go but are not on the list for this round, please feel free to bring it along and if there is enough time it will get a screening too.

See you all on Tuesday and good luck to all who submit their films!

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My Favourite Films – Chris Coulson

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CHRIS COULSON

I’ve agonised over this, and I can’t come up with a definitive list of my top 10, so I’m going to list a few films in no particular order that have great significance to me, and you have to watch before you die. I’m afraid they’re all entertaining films, so you’ll see no poncey black and white foreign films with subtitles, or anything remotely respected by the pretentious establishment!

1. Porky’s (Dir. Bob Clark 1982)

This was the first film I can remember that made me laugh hysterically and uncontrollably. It was part of a genre of American college boy/girl relationships that was very popular in the early 80s.

2. Smokey and the Bandit (Dir. Hal Needham 1977)

One of Burt Reynold’s earlier comedy film vehicles, directed by the unstoppable Hal Needham. It featured everything I was into at the time – comedy, fast cars, big trucks, and police chases.

3. Canonball Run (Dir.  Hal Needham 1981)

Burt Reynolds was on a roll in the late 70s and early 80s, and could do no wrong. This was another huge hit film, with a variety of A-list celebrities of the time queuing up to get even a bit part in the film, such as Sammy Davis Jr, Roger Moore, Frank Sinatra, and Jackie Chan, amongst others!

4. Team America: World Police (Dir. Trey Parker 2004)

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This is a thoroughly irreverent, and downright nasty spoof of a Hollywood action movie, using string marionettes, made by the South Park team.. Nobody is safe from their satire, but the in-jokes, and special effects are genuinely original and outrageous. Not really for the sensitive viewer.

5. There’s Something About Mary  (Dirs. Bobby Farrelly & Peter Farrelly 1998)

This is the purest of very well written comedies, with many sequences of gags on top of gags.  Great cast, and everything just works so well together. Possibly my desert island film.

6. Shaun of the Dead (Dir. Edgar Wright 2004)

This film has the unlikely plot of A Comedy Zombie Film. Simon Pegg and Nick Frost moved from a TV Sketch show and a moderately successful TV sitcom to this feature film, and really nailed it on their first go! It’s packed with funny references to almost every zombie film, and was an instant best film, the first time I watched it.

7. Hot Fuzz (Dir. Edgar Wright 2007)

Everyone hates a sequel, and this was the follow up to Shaun of the Dead. It had a lot to live up to, following the success of their first film, Shaun of the Dead, and surprisingly, it did even better, grossing double the amount that Shaun of the Dead managed!

 

So there you have it – agree or disagree as is your wont. Thanks for reading and don’t forget to check out the lists from other OVFM members!! Click HERE to return to the menu page!

My Favourite Films – Reg Lancaster

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REG LANCASTER

REG LANCASTER PICKS HIS FILMS for the Lido Cinema on a desert island near you.

When Lee first asked me to list my five favourite films. I almost refused. Only  FIVE ! After some hard politicking, and some abject grovelling I got him to up ten!!

After a lot of fun choosing, here is my list of films that I’d take to the Lido Cinema on the beach of my desert island… and I admit to having changed four already!

10. Bridges of Madison County (Dir. Clint Eastwood 1995)

 

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A far cry from Harry Callaghan or Westerns. He plays a photographer who asks directions from farmer’s wife Meryl Streep. They’re terrific in a simple love story that ends when her husband returns. In  a downpour Eastwood stops at the only traffic lights in town. The farmer’s car stops, too. She watches Eastwood, who hasn’t seen the farmer’s car before. The lights change. Eastwood turns off to the Highway. Not a dry eye in the house!

9. Richard III (Dir. Laurence Olivier 1955)

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Nothing beats the Bard and though I love the Lancastrian Henry V, I prefer this evil son of York. Richard’s confidential asides to the camera involve us in his scheming, a real break-through. Whenever  I’m sickened by glottal stops, dropped aitches and other linguistic twangs and horrors, this one sooths the lug’oles. English as she is spoke, indeed.

 

8. E.T The Extra Terrestrial (Dir. Steven Spielberg 1982)

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The feel good film of them all. Moments of sheer magic. Even Shrek comes a sad second for ugliest hero in the movies title. The cycle chase one of the best ever, the “keys man” a great villain, and  ET and Elliot’s relationship is wonderful. Aaaah!

 

7. Singin’ in the Rain (Dir. Stanley Donen 1952)

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A movie about the movies. The best songs and  dance numbers. Sixty years later  O’Connor still makes ‘em laugh, Debbie Reynolds is cute as ever and  Cyd Charisse’s legs still amaze. As for Gene Kelly …  

6. War and Peace (Dir. Sergei Bondarchuk 1967)

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This 10 hour epic (made in Sovscope 70 mm, not  in 3 camera Kinopanorama as I believed for many years!) version of Tolstoy’s masterpiece ran in 3 parts in one cinema in Paris for 2 years. Breath-taking. It made such an impression on our daughter Heather that 6 yrs later, living, studying and working in French, where “H” and “Th” sounds are so difficult to pronounce, she began to use ( still does) Natascha as her professional name after the iconic heroine of this film. Many unforgettable scenes. Battles of epic scope.

 

5.  Psycho (Dir. Alfred Hitchcock 1960)

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A ground breaker. If you missed its first run, you cannot imagine how uneasy, even scared our “cinema generation” felt once the lead, Janet Leigh, was dead after just 35 minutes. Imitated a thousand times. Never equalled.

 

4. The Jungle Book (Dir. Wolfgang Reitherman 1967)

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The last film with Walt Disney’s input. I’ve watched it lots of times thanks to grand daughter, Roxane, who loved it as a child, and still watches it every time she visits us. Never fails to make us laugh and feel happy. Fantastic songs, fabulous characters, Baloo, King Louie, Kaa the snake and the Scouser vultures. It’s wonderful.

 

3. Das Boot (Dir. Wolfgang Petersen 1981)

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The German TV epic story is seen through a Naval correspondent’s eyes, as he joins a U-Boat crew’s tour of duty leaving Brest. A claustrophobic harrowing tale with a cruel twist. They survive a nightmare trip to make it back just as bombers attack the submarine pens at Brest. Best war film ever.

 

2.  Once Upon a Time in the West (Dir. Sergio Leone 1968)

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Stylised, stylish and innovative (Henry Fonda as a baddie?) I’d have to have a Western and great music. A brilliant cast, close-ups to die for, haunting themes from Ennio Morricone and a mystery not resolved till the very end. Great.

 

No1 –  Lawrence of Arabia ( Dir. David Lean 1962)

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A no brainer. Still the best of British direction, cinematography, editing and acting.  Watch it every year at least once.  I never imagined I’d ever get to the real Wadi Ramm, so in 1994 bouncing through the desert at dusk in the back of a Land Rover, with Annabelle was an unforgettable experience, both exciting, fun and significant, all thanks to Lean’s masterpiece.

So there you have it – agree or disagree as is your wont. Thanks for reading and don’t forget to check out the lists from other OVFM members!! Click HERE to return to the menu page!

My Favourite Films – Lee Relph

 

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LEE RELPH

Greetings Everyone

Since this project was my idea I thought it only fair to kick things off with my list. I have to say that whittling down the many films I have seen to a selection of just ten was quite a task, not in the least as my tastes have changed and grown quite considerably over the years. In fact, even narrowing things down to a top twenty was equally challenging as there is always that nagging feeling that one has overlooked or forgotten something or there are some films one feels guilty about not including. Many perennials have remained in my Top Ten since I first compiled one many years ago while others have been usurped as my viewing scope widens and new masterpieces continue to touch and influence me, be it on an emotional, intellectual or visual level, in ways that others may not.

Perhaps in a few years this list will be different but for now, here are my Top Ten favourite films:

 

10. Scum (Dir. Alan Clarke 1979)

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Perhaps not typical “favourite film” material, Scum was the first film I saw to make me sit up and think, and realise that cinema was not just about special effects and belly laughs. It was also the first time where I understood the characters were all a shade of grey and not the usual good vs evil dichotomy I had hitherto been used to. Initially banned until 1983 (as was the original 1977 BBC TV version) this is a raw, brutal and unflinching depiction of life in a British borstal that shocks and appals in equal measures. The story is deep and scathing while the performances – including a career making turn from Ray Winstone – are extremely powerful and convincing. Now a cult classic, this is a viewing experience that still hits me hard today.

 

9. If…. (Dir. Lindsay Anderson 1968)

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Anderson’s seminal satire of the English public school system receiving a kick up the backside from the 60’s counter culture, appeals to the rebel in me and also makes me glad I didn’t attend public school. Boasting an incendiary debut performance from Malcolm McDowell (in a role that seems to have shaped his acting career) If…. also attacks the class system of this country and Anderson makes no attempt to hide his allegiances. The final shoot out between the rebellious students and the school masters has been often imitated but never duplicated, as the saying goes, and is quite a cathartic moment for those of us who hated our school days I am sure. Sublime.

 

8. Let The Right One In (aka Låt den rätte komma in) (Dir. Tomas Alfredson  2008)

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This subtle vampire tale from Sweden is the perfect antidote to the current Twilight epidemic. Adapted from John Ajvide Lindqvist’s much darker novel, this film captures the essence of the innocent relationship between bullied Oskar and the mysterious Eli, delivering a touching opus with some chilling and occasionally horrific moments which are handled with class, and thus much more effective that your typical splatter fest. This film appeared as my interest in European cinema was growing, resulting in my viewing net being cast even wider. I could also relate to a lot of the themes in this film explaining the instant connection I felt with it. A haunting film in more ways than one.

 

7. The Star Wars Saga (Dirs. George Lucas, Irvin Kershner, Richard Marquand  1977-2005)

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Perhaps I’m cheating a little here by including all six films as one choice but as far as I’m concerned they all belong together – even if the prequels were less satisfying than the originals. For me the first film Episode IV: A New Hope remains the sentimental favourite as it caught me when I was just a wee sprog and never really left me, becoming the first franchise I truly immersed myself in. It was probably also the first film I also saw a “making of” expose on and thus must have wondered “Could I do that too?” I may not reach the dizzy heights of any of George Lucas’s timeless and influential epics but I can think of worse measuring sticks to aspire to.

 

6. Quadrophenia (Dir. Franc Roddam 1979)

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This adaptation of The Who’s other rock opera delivers a wonderfully astute coming of age tale that should resonate with teenage audience of any generation. The back drop of the infamous Brighton Beach wars between the Mods and the Rockers in the 1960’s is incidental – the theme of searching for identity while running with the pack, teenage angst and isolation are universal and have been explored before, yet the effect was never as real for me as it was here, thanks in part to the natural, pitch perfect essaying of Jimmy from Phil Daniels. I’m sure I’m not alone in finding much of the situations that arise in this film uncannily relatable – except I don’t own a scooter!

 

5. Spirited Away (aka Sen to Chihiro no Kamikakushi) (Dir. Hayao Miyazaki 2001)

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The only Anime film to win an Oscar for Best Animated Film comes from the legendary Studio Ghibli, who have influenced animators around the world, including the guys at PIXAR. If Ghibli are the undisputed gods of Anime then Miyazaki is Zeus and this imaginative, fanciful yet thoughtful film of a ten year-old girl who finds herself trapped in a holiday resort for spirits, is his ambrosia. Ghibli remains one of the few studios to stick with cell drawn animation which adds to the warmth and beauty of the visuals and the natural feel of the characters. This is one of those films that simply enchants the viewer from the opening frame and takes you on a journey I know I’ll never forget.

 

4. Monty Python’s Life of Brian (Dir. Terry Jones 1979)

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“He’s not the Messiah, he’s a very naughty boy!”

I’m not sure what is funnier: this film or the furore and outrage it caused upon its release among certain quarters, most of whom hadn’t even seen it! Yes, it is a satirical dig at the dogmatic shortcomings of modern organised religion but it is NOT a blasphemous attack on faith or the figure of Jesus; the opening scene defines the path of the film clearly enough. Regardless of its intent, this is a superbly crafted, deeply researched and well written film that sees the Pythons firing on all of their comedic and most irreverent cylinders providing as many memorable and quotable scenes as their iconic TV series did. And not a dead parrot in sight.

 

3. Battle Royale (aka Batoru Rowaiaru) (Dir. Kinji Fukusaku 2000)

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Another controversial premise – a class of school children are sent to a remote island to participate in a three day Government designed game of kill or be killed – makes up the film that opened my eyes to the true scope of Asian cinema. For years, like many, I believed the Japanese only made Godzilla and samurai films until I saw this visceral and oddly touching opus. Never had I seen such a bold and unashamedly brutal work that also carried an incisive political message. It’s a clear case of two wrongs don’t make a right that is taken to the ultimate conclusion and is brilliantly played out by the young cast as well as the inspired casting of the legendary “Beat” Takeshi Kitano. A stunning and powerful film from which I get something new with each viewing.

 

2. Duck Soup (Dir. Leo McCarey 1933)

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A Night At The Opera may have made more money but this is the film that defines the Marx Brothers for me. The final outing to feature all four brothers, this satire on the petty politics that lead to war was surprisingly not a box office hit yet features some of the best known of the brothers’ scenes – including the famous mirror gag (which they nicked from Max Linder) and the final battle scene which has since been borrowed by the likes of Woody Allen. Whether by design or not, this is the only Marx Brothers film not to feature a musical solo spot from Harpo and Chico which in my mind is fine as they would have spoiled the otherwise flawless pacing of this laugh riot. The Marx Brothers were never more on fire as they were in this masterpiece of mayhem.

 

No 1 – This Is Spinal Tap (Dir. Rob Reiner 1984)

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It surprises me that there are still people of my generation who have not seen this inordinately accurate and side splittingly hilarious “mockumentary” about the aging British rock band Spinal Tap on their disastrous 1982 “Tap Into America” US tour. Yet I’m sure most people are aware of the line “These go to eleven” as uttered by Tap guitarist Nigel Tuffnel when bragging about the output of his Marshall amplifiers. This is just one of the non-stop quotable scenes that make up this witty and all too perceptively observed satire born out of a sketch on the long running US comedy show Saturday Night Live in which the American cast all too accurately play the dopey English rockers on the comeback trail which is fraught with mishap after mishap. The script is not just brilliant but the fact it is largely improvised makes it so natural and believable; and the music is great too. Simply put, This Is Spinal Tap is pure genius and after seeing the extensive amount of supplementary material on the special edition DVD that went into making this film as authentic as possible, its place atop my list of favourite films was cemented for good.

 

And those that didn’t quite make the Top Ten (in no particular order):

Love Exposure (2008), A Night at the Opera (1935), Pan’s Labyrinth (2006), Hellzapoppin’ (1941), Confessions (2010), Seven Brides for Seven Brothers (1954), The Girl Who Leapt Through Time (2006), Gasbags (1940), Superman The Movie (1978), Seven Samurai (1954), The Wind (1928), Nosferatu (1922), Poetry (2010), This Is England (2006), Witness For The Prosecution (1957), Grave Of The Fireflies (1988), Phantom Of The Paradise (1974).

 

So there you have it – agree or disagree as is your wont. Thanks for reading and don’t forget to check out the lists from other OVFM members!! Click HERE to return to the menu page!

OVFM Members’ Favourite Films!!

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Here at OVFM not only do we enjoy making films but we enjoy watching them too. No doubt the very reason most of us were inspired to pick up a camera was from sitting in front of the big (or little) screen captivated and enamoured by the moving images before us and wondering if we could do that ourselves.

But what are the films that either inspired us to make our own films or have a special place in our hearts? What are the films that speak to us, relate to us or just make us laugh or cry? Well, follow the links below and you’ll find out just what cinematic opuses have left their indelible marks on the members of this humble film making club as we bring you the OVFM members’ Top 10 favourite films.

Remember there is not right or wrong here, just personal opinion. There is no room for snobbery here, we want to see what films YOU like no matter how obscure or well known they may be. Maybe you agree with some choices, maybe you’ll discover something new or be reminded of a long forgotten gem; with the wide age range of club members the lists are sure to be an eclectic and interesting read.

If you wish to participate then please E-mail me your list (please indicate if it is definitive order) along with a small paragraph explaining your choice (you don’t need to be the late, great Barry Norman in your writing) or as a Word document and it will be posted on the site here.

Click the member’s name to see their lists:

 

LEE RELPH

REG LANCASTER

ANNABELLE LANCASTER

CHRIS COULSON

MIKE SHAW

MIKE COAD

BOB WYETH

CHERIE HAMLET-SMITH

ALAN SMITH

MIKE TURNER

FREDDY BEARD

COLIN JONES

CHARLIE CASELEY

PETER REILLY

DEREK ALLEN

CRAIG ROBINSON

Copyright Rules

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Are YOU a thief?  Do you add music to your films without permission? Do you use pictures from   other sources such as professional films, magazines or the Internet?

Then more than likely you are breaking somebody’s copyright protection, and that’s illegal!

Don’t assume that it really doesn’t matter because nobody will know about ”little me’,  because whenever our films get shown outside our home we never know who might be in the audience ready to ask questions.

Although the club has a copyright clearance licence it covers only approved club productions, individual members are not covered by this licence.

Full information about this subject can be found on the IAC (The Film and Video Institute) web site:

http://www.theiac.org.uk/

OVFM TOP TEN COMPETITION 2011

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The annual OVFM Top 10 Competition  is now under way with the eventual winner to be announced at the Oscars ceremony in 2012! To learn more about the Top 10 click HERE.

Meanwhile here are the results of the individual rounds. Be sure to check back as the competition progresses.

 

ROUND ONE RESULTS (held June 7th 2011)

1st – “Engine Turning” by Barbara Darby    53.89

2nd – “The Miracle” by Lee Relph     51.45

3rd – “To Italy by Gondola” by Andy Watson   50.36

4th – “Iguazu Falls” by Brian Pfieffer    46.68

 

ROUND TWO RESULTS (held July 19th 2011)

1st – “Connoisseur” by Barbara Walker    54.19

2nd – “Survivor’s Leave” by Simon Earwicker    50.30

3rd – “Three Boys In The Blitz” by Derek Allen   44.54

 

ROUND THREE RESULTS (held August 16th 2011)

1st – “Picture, picture on the wall” By Mike Shaw  58.26

2nd – “Switzerland” by Bob Wyeth  47.39

3rd – “Pearl on the Med” by John Ransley  37.82

 

ROUND FOUR RESULTS (held September 13th 2011)

1st – “Why are Icebergs Blue” by David Laker   54.66

2nd – “Out of the Darkness”  by Jane Oliver  48.34

3rd –  “Conversation with Diana Springall ”  by Jim Morton-Robertson     48.21

4th –  “Lago di Garda”  by Alan Smith   43.03

5th –  “Floriade” by Richard Pugh  36.68

(This may have been his first entry into a club competition.)

 

ROUND FIVE RESULTS (held October 11th 2011)

1st  – Chatsworth” by Susan Ward  51.78

2nd  – “The Garden Shed” by John Bunce  50.67

3rd  –  “Bells Down” by Harold Tril  49.02

4th  –  “Percy Pitcher remembered” by Hugh Darrington  48.20

5th  –  “Year Zero” by Mike Coad   47.92

6th  –  “Finding Granny’s Granny” by Anna Littler  47.72

7th  –  “Teego’s travels” by Chris Coulson  47.05

8th  – “1759” by Mike Turner  42.78

9th  –  “One of my other hobbies” by Roger Wheatley  40.13

 

With the qualifying rounds now complete the Top Ten finalists have been notified and have until January 3rd 2012 to make any necessary adjustments or revisions to their films based on the feedback given during the screenings and the winner will be announced at the Oscars.

Thanks to all who entered a film and good luck to all the finalists!!