The Video Players

The Video Players Article Cover Image

Ever since I started putting together videos for myself and not just for corporates, I’ve come across exactly the same problem. It’s a problem that people at every club that I’ve ever visited has also raised – whether it’s actual real-life video recording, or for use in full CG environments. That problem is one that most of you will know yourselves.

Actors.

By that I don’t mean that Actors give me a problem, but that I find it very difficult to find actors willing to participate at all. Over the last few years I’ve approached a number of sources, the most obvious being amateur dramatic societies – an obvious choice you’d imagine, seeing as both amateur film makers and amateur dramatic societies are both doing this for the love of the skill, not to make masses of money (God forbid…).

Unfortunately, the results of my attempts have tended to be far from fruitful.

When I do get replies (and this is by far the exception, I’m afraid – with most contacts actually going unanswered), I find that such societies don’t actually have a good idea of the differences between the two genres and far from looking at the approach as an opportunity to get experience in another acting discipline, there simply arises every excuse that can be imagined why not to do it. I should say that there are exceptions – one other club with which I am affiliated has connections with two drama societies, but even here the contact is tenuous with ‘rehearsals’ for a play which is produced maybe twice a year often intruding against a couple of hours of shooting.

At least one amateur dramatics society of which I am aware and nearby (to me, that is, here in Medway) is very interested in film production – only not with film makers (?). They seem to think that they can pick up a camera and do it all themselves, without any training or experience. The problem is therefore not that the two sides of the coin don’t need each other, but that the communications channels between the two need to be greatly improved.

To that end, I have started ‘The Video Players’ – a tongue in cheek code-name for a virtual troupe of volunteer players which I am gradually building. The aim is to build a pool of actors who are willing to participate in independent / amateur film making – whether it is as a hobby, to gain more experience in other areas of acting, or something separate from the society to which they belong, it’s all irrelevant. What it is important, is that as individuals they are willing to be members of a core team of actors, operating in a virtual society, and who can be approached by film makers to participate in their productions.

I’ve had a number of approaches from people on Linked In, I have had far more interest from schools and colleges where acting is taught (logical, as they want more experience for their students), but I’d like to build this further.

If you know of actors, perhaps whom you have used before, or even yourselves in an acting role, who want to be part of the troupe, then please pass on the word. We don’t need physical premises, so our ‘theatre’ is going to be a suitably formatted website where actors and film makers can get together to arrange casting calls and participate in productions – this is under development now.

I don’t want to charge fees for membership – the point is that the whole thing should be seen as a mutual service, with payment being made in kind etc.

So please, spread the word!

Until the website is ready, please use my college email address (the place where a lot of interest is being seen from the media departments): craig.robinson@midkent.ac.uk

OVFM Club Meeting Tuesday April 24th 2012

 

What is “aperture”?

What does altering the shutter speed do?

How do I deal with the problem of over exposed light?

Should I use my camera’s mic or an external one?

Why did my wife leave me?

All of these questions are common in the world of amateur film making and for some they remain unanswered. but not here at OVFM as we have our annual Master Class!!

At our next club meeting our team of keen knowledgeable know-it-alls will be taking your questions on the subject of film making from all stages of the process from the preparation stages to the final edit. With many years of experience behind them and numerous film credits to their names, our panel – Chris “Cats” Coulson”, Reg “Bomber” Lancaster and Professor Mike Shaw (along with anyone else brave enough to put their reputations on the line) – will share with us well filled cups of advice and answers from that huge barrel of knowledge and experience.

Well, that’s the plan anyway.

So if you have a question that has been bugging you or there’s something that you can never get right in your filmmaking projects and you don’t know where to turn then bring that bugging question with you on Tuesday to the meeting and put it to our panel and they’ll do their best to answer it otherwise they’ll be forced to go home with their heads hung low.

And don’t forget the OVFM guarantee – your questioned answered or your money back!*

See you on Tuesday

 

*Not a real guarantee.

 

Competition Results 2011/12

COMPETITION RESULTS 2011/2012

 

TOP TEN 2011

Final scores from 24 entries (Top 10 final scores in parenthesis):

 

“Picture Picture” by Mike Shaw 58.26 (57.64)

“Connoisseur” by Barbara Walker 54.19 (55.46)

“Why Are Icebergs Blue?” by David Laker 54.66 (55.14)

“Mystery Of The Garden Shed” by John Bunce 50.67 (54.14)

“The Miracle” by Lee Relph 51.45 (50.73)

“Engine Turning” by Barbara Darby 53.89 (50.35)

“To Italy By Gondola” by Andy Watson 50.36 (50.06)

“Chatsworth” by Sue Ward 51.78 (49.51)

“Survivors Leave” by Simon Earwicker 50.30 (49.14)

“Bells Down by Harold trill 49.02 (47.60)

“Out Of The Darkness” by Jane Oliver 48.34

“Conversation With Diana Springall” by Jim Morton Robertson 48.21

“Percy Pilcher Remembered” by Hugh Darrington 48.20

“Year Zero” by Mike Coad 47.92

“Finding Granny’s Granny” by Anna Littler 47.72

“Switzerland” by Bob Wyeth 47.39

“Teego’s Travels” by Chris Coulson 47.05

“Iguazu Falls” by Brian Pfeiffer 46.68

“Three Boys In The Blitz” by Derek Allen 44.54

“Lago di Gardo” by Alan Smith

“1759” by Mike Turner 42.78

“My Other Hobby” by Roger Wheatley 40.13

“Pearl In The Med” by John Ransley 37.82

“Floriade” by Richard Pugh 36.68

 

The scores for the following awards are calculated by 5 points awarded for a 1st place vote, 3 points for a second place vote and 1 point for a third place vote.

 

Vic Treen Cup (Best film cut to music)

“The Engine Shop” by John and Ann Epton 113

“Talk About Things” by Jane Oliver 100

“Teddy Bears’ Picnic” by David Laker 54

“Weymouth Lights Up The Night” by Simon Earwicker 35

“Wayside” by Basil Doody 17

“Wag Wag” by Bob Wyeth 8

“Humming Birds” by Brian Pfeiffer 7

Kath Jones Cup (Best joke film)

 

“Garden Tips” by Colin Jones 131

Senior Moments” by Derek Allen 111

“Kent Blues” by Basil Doody 98

 

Mike Turner Plate (Best film under 1 minute)

 

“Team Work” By Colin Jones 156

“Whatever The Weather” by Jane Oliver 61

“Pregnant Pause” by Charlie Caseley 60

“100 Years And One Minute” by Simon Earwicker 25

“Loking For Fairies” by Anna Littler 20

“Back To The 60’s” by Derek Allen 18

“Lest We Forget” by Derek Allen 10

 

OSCARS 2012

 

Ian Dunbar Cup for Best Film – “My Other Hobby” by Chris Coulson

 

Orpington Trophy for Best Film runner up – “Engine Turning” by Barbara Darby

Commended Certificates awarded to:

“Switzerland” by Bob Wyeth

“Street Party” by Barbara Darby

“Garden Tips” by Colin Jones

“1759” by Mike Turner

“Survivors Leave” by Simon Earwicker

“Mystery Of The Garden Shed” by John Bunce

“Connoisseur” by Barbara Walker

 

 

Heyfield Trophy for Best Sound – “Weymouth Lights Up The Night” by Simon Earwicker

 

Priory Trophy for Best Editing – “Rhythm Of Life” by Simon Earwicker

 

Jubilee Shield for Best Film Under Five Minutes – “Why Are Icebergs Blue?” by David Laker

 

Reg Lancaster Trophy for Funniest Film – “My Other Hobby” by Chris Coulson

 

Arthur Woolhead Trophy for Best Animation/Special Effects – “Picture Picture” by Mike Shaw

 

Renee Morris Penguin Plate for Best Photography – “Scenes From The Seaside” by Simon Earwicker

 

Alice Howe Trophy for Best Documentary – “Engine Turning” by Barbara Darby

 

Raasay Trophy for Best Film in No Special Category – “Moon Song” by Simon Earwicker

 

Kath Jones Cup for Best Joke Film Under Five Minutes – “Garden Tips” by Colin Jones

 

Vic Teen Trophy for Best film Set To Music – “Engine Shop” by John And Ann Epton

 

Mike Turner Plate for Best film Under One Minute – “Team Work” by Colin Jones

 

Top Ten 2011: Winner – “Picture Picture” by Mike Shaw Runner Up – “Connoisseur” by Barbara Walker

OVFM Club Meeting Tuesday April 10th 2012

It’s AGM (Annual General Meeting) time once again here at OVFM and that means no films this week but plenty of opinions will no doubt be shared all the same.

If you’ve never attended an AGM before, basically the Legion Of Doom (aka the committee members) sit at one end of the room behind a table, sacrifice a frozen chicken in the name of the dark lord then talk down to us mere mortals about how great they are and why they deserve to remain in power. Then anyone with suggestions for ideas for film themes, club activities and other ways to help improve or benefit the club is invited to submit them for approval then shot on sight for daring to do the LOD’s job for them. Finally our memories are all wiped and we carry on as normal until next year.

At least I think that’s how it goes … I can’t seem to remember much about last years AGM….

So, if you have an idea, concern or opinion about OVFM then now is the time to make your voice heard.

*EDIT* – Also don’t forget to bring your order forms and payment for the “Blitz & Bananas” DVD!!

See you then!

Chris Goes To Romania!!

 

As some of you may or may not know, OVFM chairman Chris “Cats” Coulson is heading off to the not-so sunny climes of Romania, taking with him Anna Littler and a group of kids to offer aid to an orphanage (or maybe swap the Romanian kids for the UK kids).

 

Chris has decided that the whole world should know about his altruistic deed

 

Good luck to Chris, Anna and the gang on the trip and we look forward to not only seeing the videos but seeing them return in one piece!

 

April 3rd video:

 

April 4th video:

 

April 5th video:

 

April 6th video:

 

April 7th video:

 

April 8th video:

 

April 9th video:

Blitz & Bananas – The First Review

Movie Review

by

LEE RELPH

To say Blitz & Bananas was a labour of love for Anna Littler would be an understatement. Inspired by tales of World War II from friends and family, Anna set about retelling those memories, with a little added creative whimsy to create a film which, by amateur standards, is a true epic. Almost two years plus in the making, the film – made with the help of volunteers from Orpington Video & Film Makers, friends, family and locals alike, Blitz & Bananas had its premier at the Churchill Theatre, Bromley on Sunday April 1st 2012 in front of a capacity crowd of around 700 people, with a second screening taking place later in the day.

It’s 1940 and the Smiley family are among the latest victims of Jerry’s recent raid. Headed by ARP Warden father Stan (Roarke Alexander), the Smileys arrive at their new home with the youngest daughter Bessie (Bethan Fry) the most unsettled. She and her sisters discover a number of lost items whilst exploring their new surroundings and decide to return them to their original owners in “Operation Knockdown Ginger”. Meanwhile elderly couple Clarence and Emily Spratt (Brian Murphy and Linda Regan) have lost everything and are resorted to living in Emily’s cousin house. Among the most cherished of their lost possessions is a silver pocket watch which belonged to their late son, another war casualty. Elsewhere young sibling evacuees Albert and Maisie Webb (Alex and Maisie Littlechild) find themselves shuttled about from their home in London to the stables of strict Mrs. Horrobin (Cherie Hamlett-Smith) who in turn dumps them on her well off daughter, doctor’s wife Mrs. Honeyman (Sue Gray).

The story is a multi-layered and is potentially hard to follow as it jumps between thread, but like all good yarns, it comes together in the end – a credit to Anna’s writing, creating as she has a well crafted script, which on the surface looks like a collection of random threads all of which subtly intertwine with one another, leading to a satisfying conclusion. Even the subplots concerning a romance between eldest Smiley daughter Pearl (Olivia Jackson) and the Honeyman’s son, RAF pilot Ronnie (Adam Gray), a birth, the disappearance of Mr Bond’s (Derek Allen) bowler hat, the secret heartbreaking plight of Mrs. Kendal (Anna Littler herself) and of course the importance of the titular banana are all congruent to the overall theme.

The film opens with a very well structured montage featuring genuine photos of some of the devastation suffered during the blitz in and around the Bromley area, setting the tone for the extremely high level of authenticity of the props, costumes and set pieces achieved throughout the film – something even the big budget Hollywood productions often fail to do. From genuine cooking utensils to authentic period clothing and motor vehicles of the era, the attention to detail is one of the more striking and memorable facets of the production as a whole – and all done on a meagre budget and plenty of goodwill from many friends and volunteers.

War isn’t an easy subject to make light of, especially from a retrospective point of view, yet there is a stream of gentle humour which flows through this film to lighten the mood in juxtaposition to the many hardships and tragedies that war brings. Being as they are based on real life stories their poignancy is doubly effective for the viewer and no doubt deeply resonant for anyone who lived through such times themselves. It is important to note that as an amateur film maker, Anna resisted the temptation to not over do the dramatic scenes and spares us from mawkish sentimentality, instead relying on conveying true emotion in its simplest form.

The majority of the cast may not be professionals but everyone seemed to inhabit their roles with a keen understanding, although one suspects the younger cast members simply enjoyed playing dress up and going on what must have seemed like a whacky adventure. Despite TV legend Brian Murphy and his wife Linda Regan (both of whom gave their time for free) being on the cast list, it is young Bethan Fry who is the star of the show, her infectious dimply grin and boundless enthusiasm permeates through the screen to touch the hearts of the audience. If she decides to make acting her future profession, remember where you saw her first! A special mention is also due for the soundtrack by Adam Bird an evocative and very much well suited for the images it supported.

Once the end credits roll, one has completely forgotten this was a production by “a bunch of amateurs” as they have been thoroughly entertained and captivated for 90 minutes by a powerful tale of life during a horrific era of British history told from the perspective of the simple folk for a change, and not a shameless flag waving propaganda piece you’d find from the big studios. It would not be too much of a stretch to suggest that this film be shown as part of the national curriculum for the school kids of today, since it is both educational as well as entertaining and would make a great visual companion to the history texts currently taught.

Anna Littler has done herself proud with Blitz & Bananas, as indeed has everyone who contributed to the making of this film. If you missed either screenings – or if you simply want to see it again – then be sure to order a DVD copy from either Anna or Chris Coulson. You won’t regret it!