FREDDY BEARD

 

I have listed 5 films on the basis that if they come back on TV I try to see them although I know the stories backwards. Many on the list I also would have listed – like ET. You will notice that I don’t go to cinemas much now!!

In no particular order:

 

1. Dr. No (Dir. Terence Young 1962)

First Bond film – saw it first when living in S.Africa and couldn’t believe that it was a British film – so unlike any made here before.

 

2. Sister Act (Dir. Emile Ardlino 1992)

Love the change in the nuns’ singing.

 

3. Jailhouse Rock (Dir. Richard Thorpe 1957)

My generation – I was and still am, a rabid Elvis fan.

 

4. Gigi (Dir. Vincente Minnelli 1958)

Songs, stars, story

 

5. Close Encounters of the Third Kind (Dir. Steven Spielberg 1977)

Always liked sci-fi but this was also a great human story

 

So there you have it – agree or disagree as is your wont. Thanks for reading and don’t forget to check out the lists from other OVFM members!! Click HERE to return to the menu page!

 

MIKE TURNER

I was born into a film fanatical family and we went to the cinema at least once a week, sometimes twice and occasionally three times. One of my happiest memories was joining the queue for the 1/6d seats at the Odeon Morden, Granada North Cheam or the Gaumont Rose Hill. My choice of films is based on films that have made a lasting impression on me either due to the emotional impact of true stories, films that include symbolic moments that the words in a script could not interpret or films that were just pure entertainment. My regret is that I had to exclude so many excellent films as only ten were permitted.

In no particular order:

1. Paths of Glory (Dir. Stanley Kubrik 1957)

First World War courtroom drama capturing the futility of war and the ignorance and arrogance of Generals in which soldiers are expected to do their duty.

2. High Noon (Dir. Fred Zinnemann 1952)

Oscar winning film that reveals the support and courage men have when faced with evil until they are put to the test. This film reflects the fear in Hollywood when Senator McCarthy led the Communist witch hunts.

3. Chase a Crooked Shadow. (Dir. Michael Anderson 1958)

Underrated British thriller that keeps you guessing right up to the end-and even then you will be totally surprised at the conclusion.

4.  The Divided Heart (Dir. Charles Crichton 1954)

True Second World War Two story, following the search by a Yugoslav mother for her child that was adopted and loved by a childless German couple and the almost impossible decision that a military court had to find. You will cry your eyes out as it is a complete tear jerker.

5. Elvira Madigan. (Dir. Bo Widerberg 1967)

Swedish film telling the true nineteeth century story of a doomed romance between an aristocratic army officer and a circus trapeze artist that defied the class structures that governed society. Two outstanding symbolic film moments  showing a leaf placed in a gently flowing river and the conclusion when a butterfly is released to fly freely towards the blue sky. Also you have the emotional music of Mozart Piano Concerto 21.

6.  A Man and a Woman  (Dir.  Claude Lelouch 1966)

Romantic film as only the French can make when a widowed couple meet and we follow the course of their deepening love together with its setbacks until we reach a concluding climax with a camera angle that has been copied in many subsequent films. Also has a memorable theme tune.

7.  The Sound of Music  (Dir. Robert Wise) 1965

No explanation necessary.

8.  Shadowlands  (Dir. Richard Attenborough 1993)

One of Richard Attenborough’s best films about the meeting and love affair between C.S. Eliot and the American poet Joy Gresham. Two completely different personalities with happiness ahead of them until cancer separates them. Another true and tearful story.

9.  Seven Samurai (Dir. Akira Kurosawa 1954)

Gave birth to the “Magnificent Seven” but the original Japanese film is streets ahead in drama and excitement. Sequels or copies of original material are always second best.

10. Pillow Talk (Dir. Michael Gordon 1959)

I cannot disappoint OVFM club members by excluding my special favourite girl and in this film she displays all her comedy skills to make this a truly enjoyable film. If we were allowed “Top Eleven Films” than I would have included the other great Doris Day Film “Calamity Jane” but Que Sera Sera as Doris would sing.

So there you have it – agree or disagree as is your wont. Thanks for reading and don’t forget to check out the lists from other OVFM members!! Click HERE to return to the menu page!

CHERIE HAMLET-SMITH

 

Presented in chronological order and not in order of preference:

 

1. All Quiet On The Western Front (Dir. Lewis Milestone 1930)

WW1 drama. An award-winning film portraying the tragedy of warfare during the ‘War to End All Wars’.

 

2. This Happy Breed (Dir. David Lean 1944)

From one of Noel Cowards best plays (in my opinion).

 

3. The Dam Busters (Dir. Michael Anderson 1945)

An excellent and memorable film about one of my interests.

 

4. It’s A Wonderful Life (Dir. Frank Capra 1946)

It’s a wonderful film.

 

5. Great Expectations (Dir. David Lean 1946)

Classic period drama  No-one does it better than the Brits.

 

6. Hamlet (Dir. Laurence Olivier 1948)

The best interpretation, atmosphere and Shakespearian acting ever

 

7. Bedknobs And Broomsticks (Dir. Robert Stevenson 1971)

Mainly for the animation.

 

8. Short Circuit (Dir. John Badham 1986)

A bit of silliness, that really appealed to me.

 

9. The Abyss (Dir. James Cameron 1989) 

Only 2 stars but I loved it for its gentleness.

 

10. A Bunch Of Amateurs (Dir. Andy Cadiff 2008).

Surprisingly, Burt Reynolds was excellent as the main protagonist playing an ageing, has-been, professional American actor, with an amateur drama group in an English  village.

 

So there you have it – agree or disagree as is your wont. Thanks for reading and don’t forget to check out the lists from other OVFM members!! Click HERE to return to the menu page!

YOU BE THE JUDGE!!

What Ho fellow OVFMers.

This week’s club meeting will see club members play judge, jury and executioner. Well, maybe no the last one but definitely the first two as we are to step into the shoes of the judges of the British International Amateur Film Festival (BIAFF) as organised by the IAC (Indecent Acrobats Consortium).

We will see a selection of films, carefully chosen by Lady Annabelle of Lancaster, which have been already judged at the BIAFF then our results will be compared to those of the BIAFF judges. But here’s the kicker: the BIAFF judges are usually made up of three groups of three so in order to replicate this, those present at the meeting *may* be asked to form a group (either a trio or quartet depending on the numbers) meaning each rating given for each film will have to be a group decision!! In other words, some of us – including your truly – will have to interact with other people for once!! Aarrrrghhh!

Anyway, it should be an interesting night with what I am assured is a great line up of films (although Annabelle is keeping the titles to herself) and hopefully prove to be a fun and provocative experiment.

See you there!