Scriptwriting with Celtx Pt 1

shakespeare

 

SCRIPTWRITING WITH CELTX

Part 1:  Getting Started

 

N.B – Celtx has changed a lot since this article was first posted. In 2016, they moved their operations to a cloud based service  to encourage online support and collaboration, as well as being able to push their subscription services since the basic version of the software was free.  However, the free version of the software is still available from external providers, with the tiny caveat of needing to run it whilst connected to the internet for the features to work.

For a beginner and the basic level we are going to be working at, what the free version provides enough to cover this. And hopefully, the software hasn’t changed *that* much that the fundamental principles outlined in these articles aren’t still relevant.

 

Hello Folks

Further to the recent Celtx demo I gave at the club meeting on the 12th of November, I figured that since there was a lot of information to impart at half an hour wasn’t long enough – plus my awkward presentation skills probably made it seem like a load of garbled nonsense – it would be more helpful to add a blow-by-blow guide to getting started with Celtx here on this site, for people to refer to whenever the need arises.

As before I will be concentrating to the absolute basics as there is a lot to take in and a lot of the functions available in Celtx probably won’t be used by many of us anyway.

First off you need to download Celtx – for free – from this website celtx.en.softonic.com/

DOWNLOADING CELTX

On the front page you’ll see this download button:

Once the file has downloaded, run the .exe file and Celtx will be installed on your PC.

GETTING STARTED

When you open Celtx you will see this front page with the various script options available to you:

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Obviously we will be using the “Film” template but if you ever fancy ago at writing a radio or TV show or a stage play the option is there for you. There are also demo versions of each of the options for you to peruse to see how Celtx works and what it can do for you.

Once you’ve opened the new document you need to set the format so got to “Script” in the toolbar and select “Format Options”:

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The best option is to select “A4” for paper size (as the US setting doesn’t print correctly) and you can select to have “one”, “both” or “none” of the scene numbers and dialogue numbers displayed. “Pagination” simply adds a dotted line at the bottom of every page of the script page to show you when writing where the page ends, This again is a personal option:

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Now, to save time – assuming you already have your story and characters all ready worked out, you can “add” all your characters to the catalogue at the start of the process for convenience sake.

 To do this go to the “Project Library” box on the left hand side of the screen and select “Add Item”:

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Then select “Character” from this list and simply enter the name of the character(s):

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You can do this other items as well at this point if you so wish or you can add them as you go along.

Now, you are ready to begin writing your script which we will look at in the next instalment of this guide. Click HERE for that.

Until then, thanks for reading!

OVFM Club Meeting Tuesday November 26th 2013

ovfmarchives

 

OVFM ARCHIVE NIGHT

Once again we give you the OVFM club members the opportunity to look back on the fifty years of films in the club archive and relive some of those moments from yesteryear. With such a time span of material to behold there is a wealth of footage not been seen by many club members (especially us newbies) while others will simply want to reminisce about former club members and their films, which will assuredly bring back fond memories of them and of making the films with them.

In order to have a programme for this evening we need YOUR input so please take a look at the archive (found in the Member’s Only Section, top right in the menu bar above – make sure you are logged in first) and select the films YOU want to see on Tuesday and please e-mail your choices to David Laker – otherwise it is going to be a VERY short club meeting !

Thanks and see you there!

OVFM Annual Competition 2013

ovfmcompcorn

 

Hasn’t time flown by? It seems like only a year ago we were making this very same announcement about the impending Annual Competition! Yes folks it is that time again where we hand over the masterpieces we’ve slaved over this year to a panel of outsiders who will view and judge them en route to the Oscars in March 2014!

Last year’s competition – the complete list of winners can be found HERE – was dominated by Colin Jones who won five awards although it was Barbara “Cakes” Darby who claimed the Best film prize. Can they do it again this year or will someone else step up to be bathed in glory?

Below you will find links to the entry forms which you can download and print off and bring to any of the future club meetings while the closing date is January 7th 2014.

As always the entrance fee is £2.00 per person but you can enter as many films as you like. All monies are non-refundable as we have to bribe the judges somehow.

To download the Entry form as an MS Word document click HERE

To download the Entry form as a PDF document click HERE

Good luck to every who enters and remember closing date for your entry forms is TUESDAY JANUARY 7th 2014!

OVFM Club Meeting Tuesday November 12th 2013

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OVFM SCRIPTWRITING EVENING

 

Over the past couple of years our entries for the annual North vs South competition, as well as the Coaching Evenings, has seen an emergence of club members starting to write their own scripts, which is encouraging as our drama/comedy output is somewhat dwarfed in relation to holiday, documentary and sundry films that don’t rely on a scripted structure.

However – there is always a “however” – it is evident that some extra guidance is needed on the actual mechanics of scriptwriting and more importantly the formatting of the scripts to make them better looking and easier for others to understand and follow. This latter facet may not seem important on the surface but trust me, it is.

Therefore we bring you this evening dedicated to exploring the world of scriptwriting further, looking at structure, characters, dialogue, description and direction notes and answering any questions you may have. And to make matters worse, your’s truly (yes me – the world’s worst public orator) will attempt to bring you a live demonstration of the wondrous (and free) script writing tool Celtx (which I have promoted elsewhere on this site) which hopefully will enlighten you to the benefits of using this tool over MS Word and encourage you all (well, some of you) to give it ago and produce a professional looking script for your future productions.

Hope to see you all there (or not, so I don’t have to embarrass myself in front everyone)!